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Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel.,

“Mosey, ef I darn yer socks fer a month would you let me hev’ two bits?”,

The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,

“Are your going to church?” she asked, disappointment drawing her lips to a tremulous curve.

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“It was quite all right,” answered Nell, anxiously watching for the reappearance of Mr. Wopp’s knife, “Mr. Eliot gave me a glorious drive over the prairie behind his team of greys, but,” with a sly look towards the young rancher, “I don’t believe he likes to meet trains.”,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.,

Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,

On the morning after Nell Gordon’s arrival, she admired the lovely array of fairy-like trumpets that seemed to smile a welcome from the glass bowl in the centre of the table. A tiny spider had been hidden in the heart of one of the blooms, and was weaving a net of filmy loveliness from flower to flower.